art

What if college students had to create public art projects that maximized social impact?

College students in Mumbai are addressing the needs of their city through school projects. They have created and implemented, with police support, murals, political commentary, repurposing of places that are frequently peed on (you read that right), and play spaces soliciting community feedback. They also created "The White Wall Project: A whitewashed wall, stage and canopy" to inspire gatherings, performances, and film screenings."

But my absolute favorite of these college students' projects were the ones that interacted directly with young children. They created playgrounds in the slums made from reused materials (tires, bamboo scaffolding). They hosted interactive art festivals fostering creative self-expression. And they performed plays inspired by the oral history of Mumbai on top of buildings next to public squares. Who said a rooftop can't be a stage?

Through these initiatives, read: university projects, these students have begun to transform the largest city in the world. Living in India I'm all too aware of the filth and forever-accumulating garbage in the streets preventing public gatherings. One college student began stenciling an image of Gandhi which ignited into a public-cleaning campaign and now, these inspiring college students, are also cleaning the streets of their beloved city. This is the next generation of India.

This is what higher education could be. 

What if all products had to be disassemble-able so they could have multiple lives?

What if we exposed children to the idea that resources are finite, and products become obsolete too quickly? What if we challenged children to create products from their previous counterparts? What if all products had to be disassemble-able so they could have multiple lives? Wait a minute! Children naturally do this! They takes things apart and put them back together and take them apart and make new things! This is a huge conversation that, I believe, we should be having with children. Let's inspire them to create not just from what we already have, but with the idea that what they create will not be an end in itself.

In this video they explore the idea that products should be made in a way that make them easily disassemble-able so they can go back to their manufacturer at the end of their life to be reused in new incarnations. I like the idea of companies re-hacking their own products. 

Art Break Day

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ART BREAK DAY 

Last year I attended Art Break Day and had a blast drawing with local kids and getting a feel for the larger creative Auroville community. Over the course of the year I became very close with Krupa, the event’s producer, and since this year’s event was occurring 2 days before I left India I just had to go! I spent the whole day volunteering for the event, which meant handing out supplies, making art, meeting people, seeing old friends, and yes, being a unicorn. It was one of my many perfect endings to a life-changing year of experiences.

Art Break Day happens all over the world on the same day as a kind of simultaneous burst of creative expression. School groups came, students with special needs, local families, and tourists. It was so special to see everyone being so serious and intent on their art. Many people stayed for hours, totaling about 200 people from 10am-5pm. The theme, “I am…”, encouraged an array of ideas, one of my favorites being “I am the mockingjay.” Aren’t all of us activists and social developers in some way mockingjays?

After spending a year as the director of the 3rd most visited site in Auroville and the largest residential volunteer community in India, Sadhana Forest, I have met so many people! Art Break was kind of like a stroll through the past year or a goodbye party of sorts as I felt what’s so special about Auroville and recognized how enmeshed I became in this world. It’s amazing how quickly you can make a home for yourself.

I am the world.
I am wandering.
I am now.

What if students engaged in their own community re-purposing, co-creating their environments through street art and getting to know their neighbors?


What if students engaged in their own community re-purposing, co-creating their environments through street art and getting to know their neighbors? 

I am so inspired by Candy Chang. She creates community forums in unused public spaces that bring people and ideas closer together. What if students were exposed to the following projects and challenged to engage their communities through unused public spaces? 

Here are my Candy Change favorites: 

Before I Die is probably Candy's most widespread project. It turns the side of an abandoned building into a chalkboard of wishes, dreams, and bucket lists. The project gained so much popularity that Candy designed stencil kits, in different languages, that she sends around the world, upon request, so that "Before I Die" walls can be recreated elsewhere. What a way to share with and inspire your neighbors and motivate yourself to follow your dreams! 

Neighborland is "an online/public installation tool for civic collaboration. Organizations can ask questions to their community about the places they care about. These questions are tied to real world projects so residents’ ideas and feedback will lead to change." Say what? The people have a voice? And someone wants to listen? Hell yeah! This project aims to solve local issues through community feedback. One example asked for ways to make a particular street safer. 

Community Chalkboards "provide residents with a free and accessible platform to publicize events, post jobs, ask questions, and self-organize... Inspired by a community chalkboard in Liberia by Alfred Sirleaf." What a way to repurpose the chalkboard! In small communities, particularly where not everyone has internet access, a community events chalkboard is a brilliant way to gather your neighbors and share. 

This installation consisted of a wall of post-it notes that were pre-stamped with fill-in-the-blank statements about the number of rooms in your apartment and how much you pay in rent. I love that this installation seeks information that neighbors are too shy to ask each other but really want to know. This was inspired by the Illegal Art "To Do" project, which created a mural of post-it notes in the shape of the words "TO DO" so that passersby could share their daily "to do" lists. After all, we all have them, right? 


Lost Horizons Night Market (2011)

One day a few years ago in NYC a friend called me up and said, “Want to go to a secret interactive art party tonight?” I replied, “Do you know me?” I asked where to meet only to find that the location would be shared a few hours before the event. That evening, we took the subway to an industrial neighborhood in Queens and walked a few blocks from the subway towards an even more desolate area. We came across 15 parked box trucks on each side of the street with what looked like a costumed nighttime block party sandwiched between them. It was wild.

Upon entering this world a haze washed over us. Women swayed towards us in zombie attire; pirate men snuck behind the curtains at the back of their trucks. A buzz was humming as performers began to take their places.

Our first activity consisted of being blindfolded by a costumed guide who led us into a noisy crowded truck filled with strange sounds and things to feel. The guide walked us through a story complete with choral banging that let us know our 7-minute adventure was coming to an end.

The box truck with a maze of fog and strobe lights was a little too intense for us so we checked out Casino Fromage. Walk in and pull the slot machine handle to find your combination of bread, cheese, and topping that would then be made for you by a seasoned chef. This was a particularly popular truck, and I’m not just saying that because they’re friends of ours.

On to the Japanese tea room, with it’s very long and narrow entrance ramp and heavy red velvet curtains parting way to a long and narrow table though the middle of the truck, complete with votive candles, tea waitresses, a brew master, and lithographs of old NY hung about on the walls. The soft music, barely lit atmosphere, and hum of chatter made this truck one of our favorites.

Walking between the trucks I came across friends from near and far, old and new. It was surreal, like stepping into another dimension. My senses were heightened the entire evening and my adrenaline pumped with each new encounter. What a fabulous idea! Taking the mundane blank canvas of an empty truck and creating an interactive world, an experience, for free, for others. What a gift!  

Lost Horizon Night Market is now expanding to have a countrywide event, which features trucks simultaneously leaving NYC and San Francisco, participating in Night Markets across the country, and meeting in the middle for a huge Night Market. I hope they come to a city near you!

The Ceiling of Kapaleeswarar Temple

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The Ceiling of Kapaleeswarar Temple

In February I was traveling with a friend through Chennai. We were hot and tired and wanted to rest somewhere beautiful. We came across the Kapaleeswarar temple with its long open-air structure and freshly painted ceiling of colorful mandalas. We rested, we watched, and we took in the sights and sounds of a calmer, quieter, cleaner part of Chennai.

How much water can you really conserve?

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Informational Signage

I believe in informational signage.
Signage that teaches.
Signage that shows you another perspective.
Signage that is clever.

Halfway through my year at Sadhana Forest I began thinking about ways to make the physical community “show” more. 

As a visual learner I know that many people need to see something and allow it time to sink it. Visuals create repetition, which create habit. You can already experience Sadhana Forest through taking a tour and hearing about all of the ways we’re sustainable, reading about it on our website, taking photos when you visit, and absorbing it through experience. Now you can also get the numbers, the cold, hard statistics. 

In an effort to increase ecological awareness through resource management, the “why” of our community actions, I researched, designed and painted these informational boards, using materials from our Recycling Hut.

Hearts of the World

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Through the New York art scene I was introduced to friends of friends who have a project called Hearts of the World. They travel to the far reaches of the planet inspiring children to follow their dreams, overcome their fears, and discover their ideas and choices about life. I was excited to be able to invite them to Children’s Land, at Sadhana Forest, a project that gives maximum choice to local children in the form of unschooling. Hearts of the World talked with the children, explored their emotions, and gave them free reign to imagine their world. It was very powerful. Next the children were given blank anatomical heart outlines to paint with their dreams for themselves and the world. As I looked around the hut I could see that the children took this workshop very seriously. It was important to them.

Hearts of the World is creating sacred, special moments where children can look at, discover, and explore themselves and their world through creative self-expression. Hearts of the World, I salute you.

CALAFOU

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CALAFOU

It is exhilarating for me to visit other communities: to see how they function, to meet the people, to learn about their processes, to understand their reasons. While in Europe in April I got to spend time in 3 communities, all with their own similarities and differences.

We took a train for 2 hours outside of Barcelona. We walked about a kilometer down a dirt path, following simple, hand-made signs strapped to light posts. We arrived at the factory and warehouse. In the early 1900s this had been built in a modern-style, surrounded by a dark and dirty apartment building with tiny apartments that let in no light. The purpose was to keep the workplace sparkly clean while the village was unkempt in order to keep the workers desiring work and their workplace over home and home life. A nasty trick.

Since then the abandoned “village” has been collectively-purchased and turned into CALAFOU, an alternative community of self-described life-hackers. They live, work, or do both at CALAFOU. Walking through the somewhat decrepit buildings there was an overwhelming feeling of abandonment: fires, halves of buildings left perching in clearly not-up-to-code conditions, faded walls of punk-style graffiti, and long stretches of emptiness between inhabited rooms.

There are a handful of people who live there and more who come to work collaboratively on hack-style projects. There’s a tech room filled to the brim with organized computer parts. There’s an electronics lab with circuit boards and batteries and strange-looking objects meant to fill a functional need or a costume party need.
The old wood/metal workshop is still in working condition and available for use. When the community needs money they build some furniture to sell. They get their food from local markets and specialize in making jams (to eat and sell) from the almost-rotten produce. They turned a bathroom into a chemistry lab and make soap. They have a DIY expectation.

We got a tour from Karlos who explained that inhabitants pay 10 Euro per week for food, electricity, and water.  They share and maintain compost toilets, a van, a garden, a kitchen, and a water source that they are decontaminating from the factory’s working years. They are renovating the apartments, knocking through walls to make windows for natural light, installing compost toilets and surround sound. They have weekly assemblies where problems are discussed, plans formed, and decisions made. They are, in my opinion, a decentralized community of creators, makers and doers in a raw space.  

We spent a few hours there getting to know the people, learning about visitors who camp out on the lawn or stay in trailers in the parking lot. A few community members offered to make us lunch and were happy to oblige our vegan-ness with rice, lentils and salad. We all went out on the lawn, took off our shoes, gobbled up lunch, and chatted under the sun in a variety of languages about community life.

Graffiti in Auroville

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Auroville does not have graffiti. There is one stencil of a woman that I frequently drive by. I smile to myself thinking about street art and graffiti culture in New York and how that’s been such a big part of my life. But not here. In Pondicherry there are great multi-layered stencils. Just a few weeks ago, these 1UP VCU burners started showing up all over Auroville. The excitement bubbled inside me at the thought of some art sub-culture rising in the villages surrounding Auroville, namely Kuilapalaym and Edyanchavedi. I began wondering what it could mean. Was it a crew? Was it a cryptic message? ‘One up, V.C.U.’… what could it be? While going for a ride in a car one day to help pick up some vegetables for my community, I let my mind aimlessly wander. I started playing with the letters… ‘1.U.P.V.C.U.’ Like a child exploring sounds I began saying the symbols fast, over and over, until I figured it out! 1 is really ‘when’ and V is really ‘we’. Do you get it? This graffiti painted on walls that Indian men routinely pee on says, “When you pee, we see you!” Oh boy! This is the funniest thing ever! So I spent the afternoon driving around photographing the best 1UP VCU’s I could find. I came home to post them on my blog, only to find from a 2-second Google search, that 1UP means 1 United Power and is a graffiti crew from Berlin. Oops! I’m going to pretend it’s a Public Service Announcement for Indian urination.

Epilogue: I relayed this story to the 1UP Facebook page… they haven’t responded.

Signs of a Healthy Ecosystem

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Reptiles are important “indicator species” of environmental health. When an ecosystem is becoming balanced you will find lizards, snakes, and turtles in abundance. They can help you know if the water and soil quality are good, they manage insect and rodent populations (especially disease-spreading rodents), they eat carrion (rotting carcasses), which helps to clear the environment. Sadhana Forest has an abundance of lizards of all kinds, a few snakes, and a rare turtle. Pictured are some of the retiles, amphibians, and insects in our community.

Art Break!

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Art Break! 

Last year when I was here in India I met Guarav, an incredibly talented artist- videographer, graphic designer, coordinator of communal art events. We kept in touch through Facebook across the year and I was delighted to find out he still lives here and is becoming an Aurovillian (like citizenship to an ideal community). He invited us all to Art Break, an event at the center of Auroville, at the Dreamer’s Café (one of my favorite coffee spots). He informed us that this was an art event happening all over the world at the same time. Each city or place that wants to participate receives approximately $500 US in art supplies (paper, paint, markers) in preparation for this event. Needless to say I was super excited and planned to spend the day there. When we arrived there were homemade signs and banners leading up to the café and surrounding it, with every café table filled with a different set of art tools so there were paint tables and marker tables, etc. Clotheslines were set up from tree to tree creating hanging walls of art that surrounded us. My friends all sat together at a table. I found a group of kids and joined them. We drew and chatted and got to know each other. We tried each other’s drawing techniques and I learned that the three girls I sat with were from Nordic countries but had grown up mostly in Auroville. They went a local somewhat progressive school and left me after about an hour for their circus arts class. I loved hearing them chat with each other, crossing between a variety of languages, looking and sounding like tween girls from anywhere in the world.

More Info on Art Break: http://www.artismovingnow.com/artbreakday.html

Article about the Art Break event I attended: http://www.thehindu.com/news/cities/puducherry/breaking-new-ground-in-art/article6386106.ece